 |
Uncanny Valley PodcastUncanny Valley is a label from Dresden, Germany. Author: Uncanny Valley
Uncanny Valley is a label from Dresden, Germany. sub-labels: shtum Records & @credit00ratlife visit our website for upcoming events: https://uncannyvalley.de/dates Starting as a label that served basically as a platform for their friends music in 2010, Uncanny Valley evolved into a record label that assembles acclaimed artists from the electronic music scene not only from the labels base in Dresden but also from Germany and beyond. With a strong emphasis on the records artwork the label heads Philipp Demankowski, Conrad Kaden and Carl-Johannes Schulze are constantly on a mission to establish and refine the artists from the roster as well as to search for new talents. Artists as Jacob Korn, Cuthead, Credit 00, Massimiliano Pagliara, CVBox or Panthera Krause all feel at home on the label, giving them the chance to develop projects that are not only music related but can also integrate different art forms. With the two offshoots Rat Life and shtum under its belt, Uncanny Valley does not stand still to explore the full spectrum of electronic and not so electronic music from House via Disco, Hip-Hop or Ambient through to Techno. A range that can also be depicted when the three label heads come together for a DJ set as Uncanny Valley DJs. Language: en Genres: Music Contact email: Get it Feed URL: Get it iTunes ID: Get it |
Listen Now...
Uncanny Valley Radio 096 - Contemporary Dance Selection
Tuesday, 13 May, 2025
Dancers have to train hard and perform with a rough edge, conveying emotions with as much acting ease as possible. At the end it also requires choreography, clothing, lighting and the appropriate set with lots of helping hands. The bigger the show, the more people are involved. With a few exceptions, it also needs sound, rhythm or just a appropriate soundscape. Sometimes existing music is used because it is structurally well suited to the piece. Other times, working with composers and musicians is the best way to put your own stamp on the piece bringing things to the point. @sandrow_m has been working with choreographers and dance piece makers for several years. With this compilation he presents 20 different pieces of music that were either used because of their suitability or were created. There is no attempt to present the entire spectrum, which would not be possible in 90 minutes anyway. Nevertheless the compilation contains various styles, for which, with a little patience, you can try to find corresponding film material on the Internet to complete your listening experience. 1. Thomas Bangalter - CHIROPTERA Solo Intro (from JR, Damien Jalet, Thomas Bangalter - CHIROPTERA) 2. Alisdair Macindoe - 4/4 (from Chunky Move – 4/4) 3. Steve Reich – Violin Phase 4. Hofesh Shechters Dancing Clowns (Directed, choreographed and composed by Hofesh Shechter) 5. Terry Riley – In C 6. Soundwalk Collective - Amputated Impulses (from Sasha Waltz – Kreatur) 7. Armand Amar feat. Isabel Sörling - Vertikal Pt 1 (from Armand Amar – Vertikal Pt 1) 8. Thomas Bangalter – CHIROPTERA (from JR, Damien Jalet, Thomas Bangalter – CHIROPTERA) 9. Mikael Karlsson - Eskapist_Procession (from Alexander Ekman - Eskapist) 10. Jamie xx – Gosh 11. Andrew Winghart – Step Into The Light (from Andrew Winghart – Step Into The Light) 12. Armand Amar - Pixel Life (Original Soundtrack for Pixel a Dance Performance) 13. Nikolaus Woernle - Landscapes (from Natalie Wagner - Im Puls) 14. Sandrow M - Ulf had nose (from Yaron Shamir – Mr. Krake) 15. Ori Lichtik feat. Gidon Schocken - Struße (from Sharon Eyal - Strong) 16. Ori Lichtik – Half Life (from Sharon Eyal – Half Life) 17. Travis Lake – Interrogation (Travis Lake – Avalanche) 18. Ran Bagno – Agapé Unison (Original Dance performance Soundtrack) 19. A.M. Beef - Awamamba (from Imre van Opstal - Wanderlust) 20. Nikolaus Woernle - Breakdown (from Natalie Wagner - Im Puls) For music written specifically for a dance piece, the choreographers and names of the pieces are given in brackets. Compositions that were used for one or more dance pieces due to their suitability after their creation are named without such a designation.
