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Behind the Space BarLearn how to become a World-Class Playback Engineer. Author: From Studio to Stage
Learn how to become a World-Class Playback Engineer. Hosted by Ableton Live Certified Trainer Will Doggett. New Episodes every Monday @ 10AM ET. Language: en Genres: Education, How To, Music Contact email: Get it Feed URL: Get it iTunes ID: Get it Trailer: |
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Your PlayAUDIO2D Questions, Answered
Episode 7
Monday, 19 October, 2026
Do you have to become a Dante engineer to put your tracks on a Dante network? After my PlayAUDIO2D walkthrough, the pushback came from both directions. Some of you said MIDI redundancy was never that hard. Others said that if you can't patch Dante Controller, you shouldn't be running playback. I take on both. Then I cover whether an iPad belongs on a Dante rig, what sample rate I run, and where vocal processing fits. And the question I get asked most: has my A computer ever really failed mid-show? It has, on almost every song of a twelve-song set. I'll tell you what still broke, and the step I skipped that caused it. The full PlayAUDIO2D walkthrough: PlayAUDIO2D Walkthrough: 30+ Shows and Counting Get the PlayAUDIO2D: Sweetwater (affiliate link) Try Pliris free for 14 days (listener exclusive): fromstudiotostage.com/pliris/friend Chapters 00:00 Your questions, and the pushback 01:03 What the PlayAUDIO2D actually does 04:35 "MIDI redundancy was never that hard" 08:02 Where it fits in a Dante rig 09:50 Do playback engineers have to learn Dante Controller? 13:13 RTP-MIDI and the second network port 14:53 Tracks from an iPad, straight to Dante? 15:26 What sample rate should you run? 17:06 Vocal processing and latency 21:30 Has my A computer ever actually failed? 26:08 Why run redundant at all 28:00 What's next ★ Support this podcast ★
