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The Show On The Road with Z. Lupetin  

The Show On The Road with Z. Lupetin

The day to day life of musicians and songwriters are dispatched from the road and beyond.

Author: Z. Lupetin

The Show On The Road features interviews and exclusive acoustic performances with songwriters, bandleaders and musicians from around the world. Hosted by Dustbowl Revival's Z. Lupetin, each episode features an in-depth and playfully creative conversation about the real day to day lives of artists and their inspirations.
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Language: en

Genres: Music, Music Commentary, Music Interviews

Contact email: Get it

Feed URL: Get it

iTunes ID: Get it

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Madeleine Peyroux: Where Jazz and Protest Meet
Friday, 2 August, 2024

Many artists have those sliding door moments - being at the right place at the right time with just the right amount of talent, style and looks to make it out of having to work a “real job." Growing up in New York and then Paris where a young Madeleine began singing on the street, harnessing her deeply warm and eerily timeless voice (close your eyes and you might hear Billie Holiday) she went from being let go selling newspapers and toiling as a Applebees hostess in Nashville to creating beloved major-label jazz pop albums like Dreamland and Careless Love (one of my all time favorite albums) where she expertly sang out-of-box covers in English from singing poets and kindred spirits like Leonard Cohen and also jazzy French favorites that got her in front of millions of listeners around the world.  Slowly Peyroux began inserting personal and often politically powerful originals as her profile grew - leading to her new protest-forward all-original LP Let’s Walk. While she was a staple of the early 2000s jazz pop best-sellers alongside Nora Jones and Diana Krall, the new record finally unleashes Peyroux’s full creative potential: there’s playful bluesy bops like “Showman Dan” which feels like a cheeky Jim Croce hit - and darkly prophetic songs like “Nothing Personal” which takes a clear-eyed view of sexual assault as a weapon of war. She’s not holding back and her intuitive band, always a highlight, matches her intensity at every point. Much like her genre-defying albums, a conversation with Madeleine goes in many directions - she’s got a lot on her mind, she has a lot of ideas and having lived much of her creative life in both America and France, she has a unique double perspective about what music and culture can do for our well-being and how governments and its citizens can support music more.

 

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