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Limited Fork Video AnthologyOn these video pages, the emphasis is on dynamic visual possibilities in active language systems --possibilities that arise from interactions between sight, sound, and texture. Come here for visual experiments in poetry (video poams); frequent updates. Author: Thylias Moss
On these video pages, the emphasis is on dynamic visual possibilities in active language systems --possibilities that arise from interactions and associations between sights, sounds, and textures, on multiple scales in multiple locations. These visual experiments in poetry are Video POAMS (products of acts of making) that explore what happens when the visual is allowed to extend beyond visible text, and when the page is not required to be paper (though it may still exist that way). The Limited Fork Video Anthology features examples of some of the forms of poetry that Limited Fork Poetics enables and encourages. Look for video poams from student and other practitioners (forkers) of Limited Fork Poetics in this frequently updated podcast. Visit the Limited Fork podcast to learn more about Limited Fork Poetics and to see video poams by the mother of Limited Fork Poetics. And for the the sounds of Limited Fork, visit the Limited Fork Music podcast. Many of the soundtracks from the Video Poams are available at the Limited Fork Music podcast. Language: en Genres: Arts, Books, Visual Arts Contact email: Get it Feed URL: Get it iTunes ID: Get it |
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Friezed Framed by Friezes video quilt
Thursday, 15 November, 2007
Digital quilting of interior images (by Shaelyn Smith) and exterior still & moving footage (by Thylias Moss) of the demolition of an historic University of Michigan building in the further documentation of an exploration of the nature of what contains and the nature of what is container, a dual & simultaneous possibility, the status of container or contained determined by perception prevailing at the moment of perception (the eye of the beholder). The complex textures and structures revealed through the irregularity of details in the stages demolition as captured by Shaelyn become visual metaphors for intangible qualities of experience associated with interactions with the physical space. An understanding of internal and external systems of structural integrity associated with Frieze become more revealed (or exploited) as the building is demolished. The patterns of the demolition offer aesthetic qualities that should not surprise as the mapping of these patterns through Shaelyn's digital lens reveals repetition and similarity with patterns related to stabilizing systems as well as to other destabilizing systems. Without Shaelyn's work, an ability to study these patterns would not exist.
