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A Collection Of Stories (Kannada) | Kannada Podcast | Srinidhi BengaluruAuthor: Srinidhi Bengaluru
A fascinating collection of inspiring and heartening short stories that will drive us through the realities of life. Ranging from imagination to real-life incidents, a bundle of stories that can influence and impact many lives are hidden in this collection. Srinidhi Bengaluru Language: kn Contact email: Get it Feed URL: Get it iTunes ID: Get it Trailer: |
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Decoding Why Some Movies Make Us Cry | Srinidhi Bengaluru | Student of cinema
Episode 1
Monday, 29 September, 2025
This episode dives into the deliberate and fascinating techniques filmmakers use to make audiences cry, exploring the "carefully managed emotional manipulation" that turns a fictional story into a deeply moving experience.We break down the three essential pillars of cinematic tragedy: Empathy, Emotional Investment, and The Cruel Narrative Twist.Key topics covered in this episode:Building Empathy: Learn how screenwriters establish a foundational connection by giving characters relatable needs (e.g., to belong, to protect a loved one) [03:01]. We explore the impact of the "Save the Cat" moment and the use of specificity to make a character's pain feel personal [03:24], [04:15].Maximizing Investment: Discover how stories use "High-Low Contrast" (starting with scenes of happiness and celebration) to make the subsequent tragedy more impactful [05:36]. We also examine the emotional power of a "Small Irreplaceable Object" and the concept of the "Unfinished Dream" to connect with the audience's own regrets and desires [06:26], [07:36].The Narrative Payoff: Understand the role of "Undeserved Tragedy" (giving problems to seemingly innocent characters) and the timing of the "Release Valve"—the character's emotional breakdown that finally allows the audience's held-back emotions to be released [10:00], [11:12].We also discuss the crucial role of Music and Sound Design as an amplifier for emotions that have already been successfully planted in the narrative [11:44].
