 |
The Business of Fashion PodcastA weekly podcast presenting thoughtful editorial stories and fashion-oriented perspectives in a fresh way. Author: The Business of Fashion
The Business of Fashion has gained a global following as an essential daily resource for fashion creatives, executives and entrepreneurs in over 200 countries. It is frequently described as indispensable, required reading and an addiction. Hosted on Acast. See acast.com/privacy for more information. Language: en Genres: Arts, Business, Fashion & Beauty Contact email: Get it Feed URL: Get it iTunes ID: Get it Trailer: |
Listen Now...
How Willa Bennett Is Reimagining Magazines for a Social-First Generation
Friday, 16 January, 2026
Willa Bennett is the editor-in-chief of Cosmopolitan and Seventeen — two of the most influential legacy media brands now being reimagined for a social-first, creator-driven era.Bennett grew up in Los Angeles, trained as a ballerina and studied journalism at Sarah Lawrence before building a standout career at Bustle Digital Group, GQ and Highsnobiety. Along the way, she’s helped redefine how youth culture is covered — not by chasing everything, but by sharpening point of view, taste and authority.“This generation has access to everything,” says Bennett, “which is exactly why there’s a real hunger for curation, real taste and a voice you can trust.”This week on The BoF Podcast, Imran Amed, founder and CEO of The Business of Fashion, sat down with Bennett to talk about what young audiences actually want from media today, why curation matters more than ever and how she’s refocusing Cosmopolitan and Seventeen — creatively, culturally and commercially — for the next generation.Key Insights: Bennett cold emailed her way into Seventeen, two weeks after graduating in 2013. Spotting social’s potential before it was prized, she asked: “Can I post the cover on Instagram?” and was told, “Yeah, sure – no one’s going to see it.” Later stints at Bustle and GQ sharpened her point of view, with a breakthrough at Highsnobiety. Putting Billie Eilish on her first cover of Highsnobiety “was so intuitive,” she says, and it was a signal she could match youth culture with editorial authority.Bennett argues the job of legacy media is selection, not saturation. “This generation has access to so much online, but that also means that there is a real hunger for curation – and real curation, not performative curation,” she says, adding that Cosmopolitan’s remit is to be “a place that young people can trust when it comes to love and relationships.”After an era of chasing scale, Bennett sees a return to meaningful, well-made stories: “We’re seeing real editorials again,” she says, while also noting Cosmopolitan’s social focus: “We’re up 500 percent year over year just in views on Instagram … That prioritisation of social media has been really important.”Bennett’s advice to new journalists is to publish everywhere while honing a distinctive point of view. “Use all the platforms now … get your voice out and really cultivate it,” she says. “As we figure out what this new era is, I think it’ll be even more important to have a very distinct point of view.”Additional Resources:Willa Bennett | BoF 500 | The People Shaping the Global Fashion Industry Inside Willa Bennett’s First Issue of ‘Cosmopolitan’ | BoF Hosted on Acast. See acast.com/privacy for more information.
