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Good Reading PodcastBook talk and author interviews aimed at helping Author: Good Reading Magazine
Book talk and author interviews aimed at helping you discover your next favourite read, presented by Good Reading Magazine. Language: en Genres: Arts Contact email: Get it Feed URL: Get it iTunes ID: Get it |
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Luke Taylor on Peter Marralwanga, Painter of the Djang of Western Arnhem Land
Thursday, 2 April, 2026
Peter Marralwanga (1916–1987) was a leading figure in one of the great art practices of the world. He grew up in western Arnhem Land surrounded by artists painting in rock shelters and he learned to paint this way himself. The subjects of his paintings were the Djang who made his country and placed the spirits of people within it. Marralwanga’s story highlights the way bark painting became important as a way of evading assimilation policies rife within Northern Territory towns. Marralwanga established an outstation at Marrkolidjban where he could teach his children how to properly care for Ancestral lands, with part of this care involving a knowledge of how to paint. As a senior person who had travelled widely in his youth, and gained extensive ceremonial knowledge, Marralwanga was highly influential among a broad group of painters. Ivan Namirrkki, a painter of note and Peter Marralwanga’s son, has provided here his own account of his father’s life. This book tracks Marralwanga’s life of learning about country and conveys the religious meaning of numerous major works, offering outsiders a richer understanding and appreciation of Arnhem Land art. It also shows the crucial role of individuals working for the community arts cooperative Maningrida Arts and Culture in facilitating Marralwanga’s rise to recognition as a major Australian and world artist. In this episode Gregory Dobbs chats to Luke Taylor about the tradition of Aboriginal bark painting that Peter Marralwanga drew from, the depth of knowledge of Aboriginal culture and ceremony that he brought to his paintings, and the political dimension to Marralwanga's work and its role in the developing land rights movement of the 1960s and 70s in Australia.
