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How We Got LoudAuthor: Chris Leonard
Stories about the people, technology and passion that built the history of live sound. Language: en-us Genres: Documentary, Society & Culture Contact email: Get it Feed URL: Get it iTunes ID: Get it |
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Greg Carttar, 3rd St. R&D Production Services
Monday, 15 June, 2026
Greg Carttar of 3rd St. R&D Production Services joins me for a deep dive into the early days of live sound, regional sound companies, and the era when people were still building, modifying, and figuring out the tools of the trade in real time.Greg talks about getting his start in electronics, building amplifiers and mixers, and learning from Stanel Sound, where theory, field experience, and the Don Davis book all became part of his education. From there, we get into early country shows with Mel Tillis and Danny Davis & The Nashville Brass, mixing Judy Collins and full orchestra at Red Rocks, and what it was like ground-stacking PA before the venue had modern infrastructure.A big part of the conversation focuses on Greg’s work with Steve Martin during his arena comedy years. That tour pushed Greg to think deeply about articulation, coverage, and directivity because every word had to land. It was not just about getting loud. It was about making sure a whisper, a scream, a cue, or a punchline could be heard clearly in every seat.We also talk about early flying PA systems, venue baskets, Stanel’s “flying junkyard” approach, homemade rigging, Johnny Cash, the Statler Brothers, Blood, Sweat & Tears, Alcons Audio, ribbon drivers, and the practical problem-solving that defined that generation of live sound.This episode is part technical history, part road story, and part reminder that the live sound industry was built by people who were willing to learn, experiment, fail, rebuild, and keep the show moving.Check out the episode page for photos, links, and more details.
