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Everyday ShakespeareAuthor: Caroline Bicks & Michelle Ephraim
Hosts Caroline Bicks and Michelle Ephraim are Shakespeare professors and close friends who love to bond over the ways Shakespeare's plays help them through their everyday dramas. In each episode, they go back to Shakespeare's day to bring you some funny, fresh insights into a pressing modern problem. They'll explore popular Renaissance writings from parenting books to cosmetics manuals and, of course, plays and talk about their uncanny connections to our everyday struggles. Whether you're dealing with an aging libido, a pandemic, or a dysfunctional family gathering, you'll feel a little bit better when Bard meets life. Caroline is the Stephen E. King Chair in Literature at the University of Maine, and Michelle is Professor of English at Worcester Polytechnic Institute. They've shared their unique brand of Bard-meets-life humor everywhere from the New York Times and the Moth Radio Hour to McSweeney's Internet Tendency, and are the co-authors of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas. Who says an English major is useless? "The Everyday Shakespeare Podcast" is produced by Jill Ruby. Language: en-us Contact email: Get it Feed URL: Get it iTunes ID: Get it Trailer: |
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Shakespeare in Purgatory
Friday, 9 January, 2026
Shakespeare's great tragedy Hamlet is having a moment. Between director Chloe Zhao's film adaptation of Maggie O'Farrell's bestselling novel, Hamnet, and Taylor Swift's song "The Fate of Ophelia," two of Shakespeare's most tragic characters have hit pop culture payday. In this episode, we explore these creative iterations of Shakespeare's life and work, and why Hamlet and Ophelia continue to resonate. We talk about the concept of Catholic Purgatory, and how Zhao's film captures the emotional power of this in-between spiritual space — one that haunts Shakespeare's original play and (as we discuss) his original audiences. In the second half of the episode, we give Ophelia extra time in the spotlight as we mine the Victorian origin stories that solidified her reputation as nothing more than a beautiful, hysterical girl who drowns herself; and then we turn to the play itself, where she's alive and fully sane most of the time, and listen to what she's really saying.
