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In the Foreground: Conversations on Art & WritingAuthor: Caro Fowler
What does it mean to make art history? In the Foreground: Conversations on Art & Writing considers the role of art in society, how knowledge is shared (or obscured), and the way histories are made and unmadewhile also considering the personal stakes of scholarship. Each episode offers a lively, in-depth look into the life and mind of a scholar or artist working with art historical or visual material. Discussions touch on guests current research projects, career paths, and significant texts, mentors, and experiences that have shaped their thinking. We invite you to join us and listen in on these conversations about the stakes of doing art history today. Language: en-us Genres: Arts, Performing Arts, Visual Arts Contact email: Get it Feed URL: Get it iTunes ID: Get it |
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The Evidentiary and the Black Body
Episode 5
Tuesday, 21 October, 2025
In this final episode of the miniseries, Erica Moiah James speaks with her friend and colleague, Sora Han. Erica and Sora were fellows at the Clark Art Institute together in 2024. While Erica was working on this project about representation in the Caribbean, Sora was working on a project about Charles Gaines, and his work Manifestos 4, which is a visual engagement with the Dred Scott decision of 1857, which denied Black people the right to citizenship, and therefore also the right to sue for their right to freedom. Sora is a legal scholar and comes to art history with a background in law. In this conversation, they discuss the stakes of naming, of using Black bodies and lives for “evidence,” and the ways in which seeking to name a portrait takes part in a discourse that extends beyond art history and into the legal sphere. In this concluding discussion, Erica discusses the stakes in art history, and the possibilities for art history as a discipline to allow society more broadly to rethink how images are deployed as evidence––on social media, in the courtroom, and beyond.
