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The Podcast for Social ResearchAuthor: The Brooklyn Institute for Social Research
From Plato to quantum physics, Walter Benjamin to experimental poetry, Frantz Fanon to the history of political radicalism, The Podcast for Social Research is a crucial part of our mission to forge new, organic paths for intellectual work in the twenty-first century: an ongoing, interdisciplinary series featuring members of the Institute, and occasional guests, conversing about a wide variety of intellectual issues, some perennial, some newly pressing. Each episode centers on a different topic and is accompanied by a bibliography of annotations and citations that encourages further curiosity and underscores the conversations place in a larger web of cultural conversations. Language: en Genres: Education, Philosophy, Society & Culture Contact email: Get it Feed URL: Get it iTunes ID: Get it |
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(Pop) Cultural Marxism, Episode 18: I Don't Know What You Did Last Summer
Friday, 19 September, 2025
In episode 18 of (Pop) Cultural Marxism, Isi and Ajay spend some time with a handful of big news items at the intersection of politics and media—from the Skydance-Paramount merger (and other instances of media market concentration) and its implications for American newsmedia (and its potential new gatekeepers); to Charlie Kirk’s assassination, its aftermath, its mediations with mass cultural objects (like alleged HellDivers II bullet etchings or Nepalese protestors with One Piece flags); the culture industry’s failure to perform even its therapeutic function; and the growing exclusivity of once-accessible arts venues and performance spaces! A wide ranging discussion of summer media diets follows, beginning with Isi’s recent love affair with the Western genre. The two discuss their shared fondness for Sergio Leone and Ennio Morricone’s many collaborations and the unmatched brilliance of HBO’s Deadwood. Turning to the world of gaming, Ajay considers tragic endings (Expedition 33, the Death Stranding franchise), slow gaming (Herdling), and the relationship between gaming and choreography (Split Fiction). Also under consideration: what Joe Wright’s miniseries, Mussolini: Son of the Century, gets right about the fascist imaginary; what Len Wiseman’s Ballerina gets wrong about the appeal of John Wick; and what Foundation and The Sandman suggest about the challenges of adaptation and the culture industry’s recent predilection for a 21st century spin on classical tragedy. Along the way, they return repeatedly to a longstanding PCM preoccupation with medium-specificity as well as the general bleakness seeping into the cultural reflections of this historical moment. (Pop) Cultural Marxism is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky.
