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Team DeakinsAuthor: James Ellis Deakins, Roger Deakins
The Team Deakins podcast is an ongoing conversation between acclaimed cinematographer Roger Deakins and James Deakins, his collaborator, about cinematography, the film business and whatever other questions are submitted. We start with a specific question and end....who knows where! We are joined by guests periodically. Followup questions can be posted in the forums at www.rogerdeakins.com. Language: en Genres: Film Interviews, TV & Film Contact email: Get it Feed URL: Get it iTunes ID: Get it |
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MARTIN CAMPBELL - Director
Episode 182
Wednesday, 25 February, 2026
SEASON 2 - EPISODE 182 - Martin Campbell - Director In this episode of the Team Deakins Podcast, we speak with director Martin Campbell (CASINO ROYALE, GOLDENEYE, EDGE OF DARKNESS). Faced with limited options for a career as a cameraman in New Zealand, Martin sailed to England, and five years in TV and 51 Tom Jones shows later, Martin transitioned into directing full time. As big fans of Martin's EDGE OF DARKNESS (1985), we didn't miss the opportunity to ask him about the making of the six-part BBC limited series, and we extensively discuss his choices and the challenges he faced. Martin describes the relative freedom the BBC gave him to shoot it, and we learn why he cast Bob Peck and Joe Don Baker in the two lead roles. Martin also reveals how they filmed the show as the scripts came in, and we discuss the alternative ending originally written for the final episode. Plus, Martin reveals why he remade the show as a feature years later in the United States. With two Bond films under his belt, Martin later shares how he was approached to direct GOLDENEYE, and he reveals why CASINO ROYALE was chosen to be grounded in reality. Martin also shares his tips for dealing with studio notes, and he reflects on how, throughout his life, his previous experiences set him up for success for what came next. - Recommended Viewing: EDGE OF DARKNESS (1985 UK TV Series) - This episode is sponsored by Picture Shop & Aputure








