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The Mixing Room: conversations about cinema  

The Mixing Room: conversations about cinema

Roundtable discussions with Sight & Sound film cr

Author: Sight & Sound: the international film magazine

Roundtable discussions with Sight & Sound film critics exploring new movies and film trends. Currently recorded from themed film festivals on an occasional basis.
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Language: en

Genres: TV & Film

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This year’s horror cinema, dissected: the FrightFest 2019 podcast
Wednesday, 25 September, 2019

Demonic oppression was the story of this year’s UK horror film showcase – along with female survivorship, identity differences and the dangers of the internet. Hardy survivors Kim Newman, Anton Bitel and Virginie Selavy explore our latest demons in this roundtable post-mortem. Under discussion: Demonic conspiracies and satanic possession in πŸ‘» For We Are Many (Lawrie Brewster, Andrew Ionides, Brad Watson, Mitch Wilson, Carlos Omar De Leon, Matthan Harris, Dane Keil, Mark Logan; UK) πŸ‘» Porno (Keola Racela, USA) πŸ‘» Ready or Not (Matt Bettinelli-Olpin and Tyler Gillett, USA) πŸ‘» Daniel Isn’t Real (Adam Egypt Mortimer, USA) πŸ‘» The Black String (Brian Hanson, USA) The slipperiness of truth and safety online in πŸ‘» Death of a Vlogger (Graham Hughes, UK) πŸ‘» Deadcon (Caryn Waechter, USA) πŸ‘» Ghost Killers vs Bloody Mary (FabrΓ­cio Bittar, Brazil) πŸ‘» Halloween Party (Jay Dahl, Canada) πŸ‘» The Drone (Jordan Rubin, USA) Differences of sexuality, class and gender in πŸ‘» Spiral (Kurtis David Harder, Canada) πŸ‘» The Dark Red (Dan Bush, USA) πŸ‘» Satanic Panic (Chelsea Stardust, USA) πŸ‘» The Wind (Emma Tammi, USA) πŸ‘» Criminal Audition (Samuel Gridley, UK) πŸ‘» Why Don’t You Just Die! (Kirill Sokolov, Russia) Female survivors in πŸ‘» A Good Woman Is Hard to Find (Abner Pastoll, UK) πŸ‘» Feedback (Pedro C. Alonso, Spain/USA) Parental angst in πŸ‘» Freaks (Zach Lipovsky, Canada) πŸ‘» The Deeper You Dig (Toby Poser & John Adams, USA) πŸ‘» Knives and Skin (Jennifer Reeder, USA) The monstrous in πŸ‘» Rabid (Jen & Sylvia Soska, Canada) πŸ‘» Depraved (Larry Fessenden, USA)

 

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