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Freeze Frame  

Freeze Frame

Kansas City Community Radio

Author: KKFI 90.1 FM Kansas City Community Radio

Freeze Frame is a weekly show reviewing the latest movies from Hollywoods best to independent and arthouse movies.
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Language: en-us

Genres: Arts, Film Reviews, Performing Arts, TV & Film

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Freeze Frame: "28 Years Later: The Bone Temple" (R), "The Choral" (R), "The Rip" (R), "Dead Man's Wire" (R)
Thursday, 15 January, 2026

It’s double feature time for fans of stalwart actor Ralph Fiennes. "28 Years Later: The Bone Temple" is the fourth installment in the horror series about a zombie infection. Fiennes plays a doctor who confronts human evil worse than that exhibited by the zombies. While gripping, well-made and genuinely scary, its graphic and sadistic violence approaches the level of torture porn. Fiennes pops up again in a movie that couldn't be more different. In the gentle comic drama "The Choral," he plays a conductor in a small English village mounting an amateur performance of the Edward Elgar piece “The Dream of Gerontius” while struggling with the challenges of WWI. “The Choral” is well crafted, but very lightweight. Matt Damon and Ben Affleck team up once again for the taut and intense Netflix crime thriller, "The Rip." Inspired by a true story but highly fictionalized, it's about a team of Miami drug agents who stumble upon a stash of $20 million in cartel drug money. The discovery sews distrust between the agents as they are forced to decide what to do with the cash, resulting in a lot of violence and intrigue. Fans of the genre will enjoy the action of “The Rip,” as well as the challenge of figuring out who the good guys are...if there are any. In the bizarre true story "Dead Man's Wire," Bill Skarsgård plays a troubled man who took a bank executive hostage over a disputed mortgage issue, forcing the media to cover the standoff. In a bit of stunt casting, “Dog Day Afternoon” star Al Pacino shows up in a supporting role. While it generates a certain level of tension, this thriller from filmmaker Gus Van Sant is really a sober study of utter desperation.

 

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